image credit: "Calgary Summer" by Mark Sharp

Tuesday, July 6, 2010

"Are We On The Air, Sugar?"

Yes, Geraldine, it's true.

For those unfortunate enough to be awake in the wee small hours of Tuesday morning and near your radio or computer, you might have heard yours truly broadcasting on the Calgary airwaves. Yes, that's right. After a hiatus of more than 15 years I am once again a real live radio DJ.

How's that, you ask? Well, it went down something like this. I submitted a volunteer application to CJSW 90.9 FM (our local college radio station broadcasting from the U of C campus) here in Calgary a couple months back. I've been wanting to get back into the music scene for a while now, and this seemed like the perfect opportunity. After two relatively painless orientation sessions, I set to work on the low end of the food chain - cataloging music in the library.

Ironically, most volunteers hate this part of the deal. They find it tedious and unappealing. Not me. Quite the contrary, actually, as I really dig seeing all the new music that comes in to the station as well as the 100K+ title library we are privileged to maintain. Though it's mostly CDs these days, there are still lots of great albums which are only available on vinyl. What's more, many are out of print, which even makes them all the cooler.

I'd probably logged 20 hours or so in the last few weeks and was content to keep plugging away and trying to help out in any way I could, when last week the Program Director (Mark Shields) pulled me aside and asked if I might fill in for some open shifts that needed temporary hosts. He knew I'd done radio before and deftly put me alongside an expert DJ (thanks Hayley Em!) for a quick refresher in the broadcast booth last Monday afternoon.

Although quite a bit has changed in radio since the early 90s, the basics are still the same. Good on-air presence, a sense of timing and, of course, enough musical sensibility to actually program a show that flows from start to finish. Another hands-on session with Mark the PD on the 30th allowed me to "solo" for over an hour. Afterward, he apparently felt I was capable of handling things on my own, so he plugged me into an open overnight slot which needed a host. Which brings me to this morning.

I arrived at the station 'round midnight (cue Thelonius Monk) and started selecting music from the library. Overnight shows like this one (2am-6am) don't get heavily programmed with ads or public service announcements (PSAs) or other required content, so there's a lot of freedom to play a range of music. We are required to select 4 songs per hour off the current playlist, as well as insuring at least 4 Canadian-content offerings are played. But still, with 12-15 songs per hour (I do try to avoid the live version of In-A-Gadda-Da-Vida) means a lot of preparation is needed to adequately cover a 4-hour shift.

When the clock displayed 2:00 I was on the air! The time passed quickly as I served up a blend of old-school college radio staples along with our new material, plus a generous sampling of blues, jazz, reggae and some choice international beats. I think the final product, though still a bit rough by my standards, went over quite well. No one called to complain which means a) I did OK or b) no one was listening. What the heck - I had a blast despite being up way past my bedtime.

Even better, I'm on again in the daylight hours this week (Wednesday July 7 from 4-6pm MDT) so perhaps my legions (ha!) of fans will be able to "stay up" this time around. If you're not in Calgary, no worries. We stream live 24/7 on our web site.

Thanks in advance for your support and hope you can listen in!

1 comment:

  1. What an inspiring and uplifting piece of writing!
    Thanks for sharing this. As a singer/songwriter signed to A&M in 1989, I can appreciate the passion behind this story.
    As for myself, I was the female singer/songwriter before the big wave hit! That wave of female singer/songwriters that came right after my 1989 release of the, Wendy MaHarry, vinyl record! The marketing department did not support my work, but for some reason, Jerry Moss did. So, the battles raged and eventually I was put on the shelf and had to stay there until my contract was up! Tori Amos used to come see my shows in Hollywood, Ca... it was during her period of Why Can't Tori Read. So, you see, I lost my heart. And now, like you, I am back. I had to reinvent my music from the ground up! My newest cd will be out very soon and I hope you will to give it a listen!
    Best Wishes,
    Wendy MaHarry

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